Saturday, August 24, 2013

Well....Figures

Sometimes I receive images from photoshoots where I really like my figure (I'm thinking, "Dude, I'd draw that!" haha) but the overall photo is not all that impressive (either from lack of experience in lighting, blurriness, or poor photoshop skills...all of  which takes a lot of time and energy to do well, so I certainly don't blame anyone for having a 'less-than-ideal'-image). It makes me wonder - which is more important, the pose and figure or the overall image? It's an interesting interplay because I typically find that for me, I prefer both (ideally) to work well in the photo. But at times I find that a simple image that is not very well executed can still be visually pleasing if the pose is just right. It also just depends on if the image is to be used for reference, or as a figure study, in which case the photo doesn't have to be interesting per se, but should still have good focus. 

But, nonetheless, I thought I'd share some images of me that I like but feel lack in some way, either on my part (sometimes I am a mauvais, bad, model) or the photographer. Sometimes these photos are from individuals learning basic photo lighting, etc. (not anyone claiming to be professional) so to say that the image is 'bad' is totally inaccurate, and that is not something I am trying to imply here. Just saying, I  think they're almost perfect! :] 

photo by Robert Mandel, 2013

photo by Nelia, 2012

photo by Ilya Malinkov, 2013

photo by Daniel, 2012

photo by Dave Brown, 2012

photo by Alastair Lockett, 2013

photo by Charles Nevols, 2013

photo by Charles Nevols, 2011 or 2012

photo by Winston, 2012

photo by John Green, 2013



Saturday, July 27, 2013

After A Long Silence....

I return! With musings and such to write about.
 I have been busying myself with a lot of commuting around the Bay Area, summer travels, and of course, modeling. My latest 'gig' has been at the amazing Golden Gate Atelier, located right in my area. I'm there quite a bit now, and hopefully they'll enjoy me enough to have me stick around for longer :] I love love love working for this school; it's small, intimate, and the students and faculty are colorful and interesting people. (not that I've talked to many at great lengths, but I can tell.)
It's awesome to take a look at everyone's drawings or paintings during my breaks and seeing the exciting work going on there. The only problem is that I crave more time to attend to my own drawing and paintings each time I sit for theirs.

I had another (long due) shoot with Steve Gatlin, which I still have yet to see photos from. I haven't worked with him in almost a year! It was nice to catch up, and participate in his workshop. I am still amazed that I was able to hold up another three hours in the middle of the night, outdoors!

I've also had the joy of modeling for Dana Davis, a quirky, fun photographer who specializes in taking bodyscape type photos. I don't think anyone else has been able to capture my skin tone in it's natural form in such a beautiful manner. I think it's pretty great [:

Photo by Dana Davis, 2013

In the mean time, most of where I am and will be in the next month or so will be at the atelier, at the studio in Napa, or home. I would love to get out and do more photoshoots but I've come to realize I've been living out of bags for the last month or so, and I'm starting to crawl into my shell of had-too-much-social-working-time. I am naturally a little more extroverted than some, but there will always be a breaking point when all I want to do is haul up in my bedroom, maybe read, maybe draw, maybe write, and reflect. And I feel that time coming up now. I will try to book shoots when I feel more up for it.

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As some of you (who is my audience? I'm not sure) may know, a large part of my beginning modeling (art modeling, to be certain) has been my desire to help other artists create work they find moving and inspiring and beautiful. I think it'd be a good idea to write a blog post about which photos or drawings I've been a part of that I've really enjoyed. I took figure drawing classes in college and absolutely loved and admired the models I had the opportunity to draw. I thought it was so great that they were willing to take the time out of their day to pose for me, to help my understanding of anatomy and porportion. I only wish I had been better at capturing a likeness! :P I thought it was something I could do, eventually, as a way of giving that feeling of appreciation back. And now, here I am, doing just that. It makes me feel happy. I've had very few awkward or uncomfortable moments. I hope this will be something I can continue for as long as possible [:




Monday, April 29, 2013

Buggy


Photo by Shane [AspergianLens], April 2013


The modeling life.

It's good.

I had a funny shoot recently, whereupon I was attacked by flesh-eating bugs everywhere we went! I was worried about not giving the photographer enough good shots, as after a minute of posing there would be dozens of insects all over me. Mosquitoes and ants...spring time always seems to be the perfect time for those nude in nature photoshoots, but not always....

I modeled for a watercolor class tonight and felt very pleased with the whole session. I never had very good luck with watercolors myself, they are very strange and almost counter-intuitive to work with to me. I admired the work - so fluid and lose and colorful in a very beautiful way. 

I am hoping that in the near future I will work with some photographers whom I have been looking forward to working with for a while. Scheduling time (for everything) is difficult. 

In May, I will be dog sitting for two weeks. My mom has a standard poodle (who is so energetic and friendly!) who I will be needing to take with me everywhere I go. So if anyone who is wanting to work with me from May 8th to the 24th, and happens to be reading this, please take that into account. 

Stay tuned ;]

Wednesday, April 3, 2013

Musings - When a Model Needs a Model

So, in my other life, I am an artist. I am not amazing, still learning, but I adore drawing and painting traditionally. I adore looking at people and animals and things and have that urge to recreate and reinvent and visualize and make marks. And currently, I don't do that enough D: It is what, in fact, got me interested in art modeling to begin with - in a few figure drawing classes, I came to respect and admire the working life of an art model. I was appreciative of their willingness to come pose for the class and share an intimate three or so hours of time exposing their bodies and their personalities through their poses. Some models (like me) are a bit more reserved, or somehow proper, while others are much more edgy and easy-going. I loved all of it - the old, saggy models to the just-my-age models. I loved the male models and the female models. I loved the way some of them brought props and demanded attention from us artists, and the way others were visibly timid. When I thought about it, I realized that I too, could manage sitting still for extended periods of time and being naked. In fact, I really wanted to do that. To be on the other side of the drawing board, so to speak.

When I first met Keira Grant, I also played with photographing her, partially to learn a little more about studio photography with a model and digital photography in general, but was pleased to get some decent reference photos for potential future drawing/painting ideas. I am currently working on a graphite drawing of her (okay, I've been working on it for the last 6 months, and it would have been done by now if it weren't for my taking a break), the first real rendering in graphite I have ever attempted....and it's going pretty all right, if I say so myself. I've had help, a lot of much needed help, from Ryan Frederickson, thank goodness.

In progress graphite drawing by me - from a photo reference I took.
 Model is Keira Grant. 

I'm hoping this will be done in the next week or two. I mean, really, there's like just one leg and a foot left to do, and any additional touches at the end. Then I hope I will continue to make the necessary time for art making. Because, even as an art model, I need models at times. Unfortunately I can't hire models - but there are some amazing models who are willing to help out a couple of artists for the sake of art. That's why we're called....art models?! If I get a chance to repay, or pay models, I would do that, but for now photo references may be the best thing to do. Or sharing paying for figure models. Or something.

I look at a lot of pictures of models. Sometimes I look at them with an open mind and without bringing in any negative thoughts about myself, personally. Other times it's inescapable. Maybe not every model has insecurities, but this one does. This one wonders why she's willing to undress before a group of strangers and create shapes with her body in the first place when she sometimes feels she can't go outside because she just can't look herself in the mirror. It's a funny world.
Sometimes I come across models who I can just tell must be the most awesome people - AND - they have a look I feel inspired by! What do I want to do? Draw them. But can I hire them? NO. So....dilemma. I guess we all have those. Let's just say I'm glad for Keira and look forward to the day(s?) that I can hire and draw models. Who would I want to draw? It depends. Some lovely tattooed people, some lovely men and women and trans people, and definitely people with folds and wrinkles. The more the better.










The more the better.



Thursday, March 28, 2013

More Painting Classes


I started modeling this morning for a 10 week long painting class. This is the only pose I will do for each class session for the entirety of the class. I am kind of wishing I could be getting a massage right now.

The students for this class have their basic drawing skills down and are not foreign to painting, which is neat. I love the casual feel to the class and how lively and talkative and friendly everyone is. I even get coffee so I am happy even if I can feel that my lower back is going to hate me later.

With permission, I may later share some of the student work as we move through the weeks for this class :]

Below is a picture of an in progress painting by Jody Mattison, the instructor.


Saturday, March 23, 2013

AfterThoughts



Photos by Dan West, March 2013


I've been silent on here for a while. I've had a few very positive modeling gigs this month, which have also supplied my first months' rent (yay!). I have mixed feelings about being a pretty much pay-only model now, but at least I'm flexible. I had a nice hike and shoot with Dan West, who upon meeting I immediately liked. There was no nervousness or awkwardness at all. I think this is the second photog I've had this kind of experience with, which is exciting. That usually implies to me a kind of creative connection that is rare...or that I'm just loosening up a little and getting more comfortable with this whole modeling thing. In any case, I'm pretty happy with some of the photos and also looking forward to our potential trip to Death Valley next month for a few days of shooting there. Maybe I'll be able to work up a little tan :P

I've been modeling for painting classes and drawing classes, which I still love to do. I just have to laugh at myself a little for sometimes being a little jealous of the artists who are there to draw/paint while I'm modeling. I haven't done much of my own artwork lately and it's starting to bother me. I guess I should get on that. I do love modeling but I also love drawing, and there must be a balance of helping others learn and create while continuing my own learning and creating.

I just caved recently and got an iPhone. I feel so funny with it, and it still feels a little out of place in my life. But I think it will be a very useful tool in the long run, and I look forward to figuring it all out (no pun intended). :P

I think that's it for now. I'll try to keep updating, so stay tuned :]

Monday, March 4, 2013

Thoughts on Canceling....

I am not perfect. I have last-minute cancelled on photoshoots because of feeling ill (I have a history of gastritis and attacks of nausea), feeling not my best to model that day (usually a combination of insecurity due to some sort of physicality issue and feeling emotionally drained), or because I have forgotten about a previous commitment. It is usually something that I can reschedule with the photog, if he/she is willing - but understandably, they are not always. But I wonder how easy it is to find (nude) models? It seems the photog is hurting him/herself and the model by not allowing some degree of flexibility.
(For photography it seems pretty easy to find models, and to be honest I have only ever last-minute cancelled on photography, never for life drawing or painting).

Sometimes the photog is part of a team that does not reschedule "flaky" models
(I say in quotes because I personally do not think it is flaking if there has been communication that I can't show - even last minute. I personally think of flaking as simply  not showing at all, with no serious thought or attempt to communicate. I do realize this is not the general meaning of the phrase, but, maybe because I know I have good intentions and would follow through if given a chance to reschedule, is my reasoning)
or no-shows which to a fundamental degree I can "get", but I feel it's a bit of a harsh rule. Not only does the photog by their own "rules" lose a model completely, but the model loses a photog completely, even before meeting! Somehow that just seems wrong to me. If there was a negative experience or a lack of communication than that by all means would allow for the model and photog to cancel each other out. I would agree that a "flaky" model may not ever get a third chance to model for the team again due to that last-minute cancelling, but writing them off the list of potential models right away seems harsh to me. Maybe that's just me & my way of doing things. I would always give a second chance, and then strike out.
But to be fair, as a 'professional' model I do need to stop doing that. It's all a matter of taking care of myself, which I am still working on. (Funny, you'd think that models had their shit together, but some of us, like myself, don't seem to....)

What do you guys think? Am I just not taking things seriously enough? To be honest I feel with art models there is or could be room for flexibility - we're not doing high end fashion-y stuff or anything that needs to be done by a deadline, right? So what is all the fuss about? o___O
I may just need some convincing words to get my thoughts straightened out. Or not.
*ponders*

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